A truly beautiful masterpiece. The vision of the work here, and how it evolves so carefully in tone and melody is simply exceptional. It really has such a unique voice that is unlike anything else, and that is a rare gift indeed.
Favorite track: Lamentation.
Corey Fuller is one half of the duo Illuha on 12k and Break is his first solo recording for 12k. A crashing wave, the breaking dawn, an impact, the crushing of emotional spirit... the breaking of a storm. These are all relevant ideas behind his choice of a title for this highly emotional abum. Fuller has addressed the universality of human struggle without going into specifics of his own personal waves. The ideas that we as humans all share many of the same difficulties is both a launching point and a message he wishes to share with Break — the catharsis.
While Illuha’s music is known for its attention to small sounds and light textures, Break, while equally as fragile, sees Fuller working with much heavier elements. Still highly melodic, the work pulls and churns between harmony and tension, weight and air, the crash of a wave, the pull of the undertoe. The album is focused intensely on melody and harmony, progressions more carefully composed than the serendipitous found sound of his work with Illuha.
The piano is often at the center of these songs, an instrument (his own) that has become much an extension of his own body. His own voice plays an important role as well, sometimes lyrically ethereal and sometimes just a breath signifying the ever-fragile thread of life. Beautifully recorded in his Tokyo studio, the sounds are captured with all of their inherent physical flaws. As Fuller himself states about the piano being “Recorded in a way that you can hear the bones, like an open ribcage, moving contorting…” Everything on Break is there for a reason, not just the sound and soul of the piano but the electronic elements as well, rattling bass tones and dramatic, emotional waves of synthesizer rising and dissolving.
If a single word can be used to describe Break it is physical. From the instruments and techniques used to produce the album to the concepts of vulnerability of the human body. Break is an emotional riptide where violence and rest struggle to be the last voice.
released February 1, 2019
All music composed, performed and engineered by Corey Fuller in Tokyo, Japan.
Taylor Deupree plays glockenspiel and other percussion on “A Handful of Dust.”
Mastered by Taylor Deupree at 12k.
Published by Hozomeen [ascap]
Thank you to Lauren, Sam, Koen and all of my extended family and friends across the world. Special thanks to Taylor for the support, encouragement and critical ear; your friendship and dedication are a guiding inspiration. A very special thanks to you, the listener, for your time, attention, open heart and open ears; may each listen reveal something new.
Michael Grigoni's 'Mount Carmel' is the best thing to happen to lap / pedal steel based music in a while. Such attention to detail in every note, not a sound is wasted. Alive and energizing yet meditative and somber all at the same time. Lost Tribe Sound
At first I was disappointed in hearing the yes beautiful but a little over-used sound of Durand's tape style. Then this records slowly turns in something special and this collaboration between Deupree and Durand proves to bring forth magic. Ruben van den Belt
a beautiful and consistent record. The continuous yet slow progression of the composition creates immersive and harmonic textures, always flourished with ambient sounds. Although not very detail-oriented, the record produces interesting textures throughout, and reveals amazing timbre and production. As relaxing as enjoyable. Vasco Completo